In the turbulence of Auckland, Ska (Hunter) is a streetwise 19 year old, whose father is a drunkard and whose older sister works at a high-class massage parlour. When he decide to “rescue” her, he is thrown out. With some friends, he take revenge by trashing the place, but the reply results in Ska's best friend being killed. The massage parlour boss is also a crooked concert promoter, so Ska, and his gang, “hijack” a concert which incites the audience to riot.

Three friends search for a missing man in Manchester, New Hampshire

Private investigator, LOU LUCK (LUCCIARDI), returns from a failed assignment in Australia to his hometown of Cincinnati. He is hired by AUDREY LANE, wife of deceased (murdered) DONALD LANE, CEO of Quartermain Electronics, to protect her from the violence that has already claimed the lives of other family members, including her younger sister, NOREEN. Lou meets MANLEY PRESTON--an Australian--at a bar. The two are forced into a quick friendship by taking each others part in a brawl. In actuality, Preston is a mercenary hired by the RUSSIANS to eliminate the key individuals in the Quartermain upper echelons and to recover stolen Soviet missile codes. Kozinsky's motive--besides money--is revenge against the Russians for killing his brother, IVAN. A third, half-brother, DEMKO, is the mastermind behind the entire scheme. Audrey's goal is to have Preston eliminate all the Quartermain people, give her the codes and then leave the Russians locked out of their own missile system. With control ...

How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.

It's 1998 in Dickinson, North Dakota and the beloved Dickinson High School mascot, the Fighting Midget, is under assault by pc-minded townsfolk who prefer the less threatening moniker, the Fighting Pheasant. And Danny Mesersmits, an average teen and son of a local athletic legend, has decided that he sucks at wrestling. Two weeks before varsity wrestling begins, Danny announces, much to the shock of his family and friends, that he does not want to compete in the sport that his father dominated. Meanwhile, Danny is distracted by his budding relationship with his socially downtrodden girlfriend, Ann whose disapproving, image-obsessed mother Karen stands in the way. After an unexpected tragedy, Danny retreats into a spiral of self-doubt and torment that strains his relationship with his caring mother Mary and his wise - yet alcoholic - uncle Ron. As Danny wrestles with life's uncertainty he faces his past and sets a plan for his future.

The residents of Mapleview retirement home rebel against their oppressors and take the staff hostage. Their demands are simple. They want more freedom, real food, no more enemas, free love and porn. A wacky siege begins.

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Decades after it was used to bludgeon an 80’s punk rocker to death, a vintage typewriter with lyrical powers falls in the lap of a failing songwriter.

Nikki Holiday, a drag queen cabaret star, tries to fill the void in her life after her plans to start a family fall apart.